"I didn't mean to trouble you to do that. My justification," said Mrs. Gereth, sitting there warmly and, in the lucidity of her thought, which nevertheless hung back a little, dropping her eyes on the gravel—"my justification was all the past. My justification was the cruelty—" But at this, with a short, sharp gesture, she checked herself. "It's too good of me to talk—now." She produced these sentences with a cold patience, as if addressing Fleda in the girl's virtual and actual character of Owen's representative. Our young lady crept to and fro before the bench, combating the sense that it was occupied by a judge, looking at her boot-toes, reminding herself in doing so of Mona, and lightly crunching the pebbles as she walked. She moved about because she was afraid, putting off from moment to moment the exercise of the courage she had been sure she possessed. That courage would all come to her if she could only be equally sure that what she should be called upon to do for Owen would be to suffer. She had wondered, while Mrs. Gereth spoke, how that lady would describe her justification. She had described it as if to be irreproachably fair, give her adversary the benefit of every doubt, and then dismiss the question forever. "Of course," Mrs. Gereth went on, "if we didn't succeed in showing him at Poynton the ground we took, it's simply that he shuts his eyes. What I supposed was that you would have given him your opinion that if I was the woman so signally to assert myself, I'm also the woman to rest upon it imperturbably enough." Her companion hesitated. "In your name?"!

"And do you mean, as it is, that she'll prevent him?" Mona Brigstock, between these ladies, was now nothing but "she." "A good deal to myself, but a little, to-day, as you see, to Mr. Gereth,—" and the girl looked at Owen to draw him into their sociability. For Mrs. Brigstock he had immediately sat down; but the movement had not corrected the sombre stiffness taking possession of him at the sight of her. Before he found a response to the appeal addressed to him Fleda turned again to her other visitor. "Is there any purpose for which you would like my father to call on you?"

"Of course I count the ghosts. It seems to me ghosts count double—for what they were and for what they are. Somehow there were no ghosts at Poynton," Fleda went on. "That was the only fault." Owen sat there a minute staring at her. "Ah, you're beautiful, more beautiful than any one," he broke out, "but I'll be hanged if I can ever understand you! On Tuesday, at your father's, you were beautiful—as beautiful, just before I left, as you are at this instant. But the next day, when I went back, I found it had apparently meant nothing; and now, again, that you let me come here and you shine at me like an angel, it doesn't bring you an inch nearer to saying what I want you to say." He remained a moment longer in the same position; then he jerked himself up. "What I want you to say is that you like me—what I want you to say is that you pity me." He sprang up and came to her. "What I want you to say is that you'll save me!" If Fleda handed this communication to her friend as a triumphant gage of the innocence of the young man's heart, her elation lived but a moment after Mrs. Gereth had pounced upon the tell-tale spot in it. "Why in the world, then," that lady cried, "does he still not breathe a breath about the day, the day, the day?" She repeated the word with a crescendo of superior acuteness; she proclaimed that nothing could be more marked than its absence—an absence that simply spoke volumes. What did it prove in fine but that she was producing the effect she had toiled for—that she had settled or was rapidly settling Mona?